From solo to orchestra, epigram to epic, Edie Hill’s music unfolds seamlessly in all spaces and idioms. A widely acclaimed composer, Hill’s music has been performed internationally in such varied venues as Lincoln Center,  the LA County Museum of Art, the Library of Congress, Minneapolis’ Walker Arts Center, the Cape May Festival (NJ), The Downtown Arts Festival (NYC), Liviu Cultural Center (Romania), Feszek Müvészklub (Budapest), venues in Alkmaar, Zeist, Groningen, Zutphen, Breda and Bilthoven (The Netherlands), St. Paul’s Schubert Club, the Minnesota State Fair, classrooms and cafes, basilicas and back yards.

Hill’s career as a professional composer of instrumental music began with a commission from flutist, Susan Rotholz and cellist Eliot T. Bailen of the budding Sherman Chamber Ensemble (1985).  It was the group’s first concert and Hill’s first commission. Land Meeting Sky for flute and cello has since been performed throughout the U.S. and was most recently performed by the Taos Chamber Music Group in  Taos, New Mexico – the state and landscape that inspired the piece.  After “cutting her chamber music teeth” with the Sherman Chamber Ensemble, and gaining her “orchestral chops” with High Plains Revelry, a fanfare commissioned for the Amarillo Symphony Orchestra, her instrumental music has been commissioned/performed by groups including New Jersey’s Cape May Festival Orchestra, the Intergalactic Contemporary Ensemble, members of the The Charleston Symphony and the Lexington (KY) Philharmonic, the Mixed Flock Orchestra Project, the Minneapolis Guitar Quartet, the Tantalus Guitar Quartet, The Arc Duo, Two Sides Sounding, the Taos New Music Group, Zeitgeist and soloists including flutists Linda Chatterton, Susan Rotholz, Nancy Laupheimer; keyboardists, Susan Billmeyer, Dean Billmeyer, and Stephen Self, guitarists Kenneth Meyer and Joseph Hagedorn, cellists Eliot T. Bailen and Thomas Rutishauser, clarinetist, Andrew Lamy and percussionist Heather Barringer.

Her choral career took off in 1996 when she won the Dale Warland Singers Choral Ventures Program commission with Poem for 2084, text by Joan Wolf Prefontaine.  Since then, her choral music has been widely performed by renowned ensembles such as Cantus, the Rose Ensemble, VocalEssence, The Singers: Minnesota Choral Artists, Valborg Ensemble (The Netherlands), and Harmonium Choral Society as well as by many collegiate choirs throughout North America. Her imaginative choices of text (including excerpts from Ailm Travler’s Run-Off (Splash! Leap!), excerpts from Newton’s Opticks  and words of Monet (An Illuminated Transience) and her “masterful facility for setting words and exploiting the richness of texts keeps her in demand as a choral composer.”

In 2006, Hill’s love of chamber music and vocal music came together with the commissioning of A Sound Like This which can be heard on the Cantus album, While You Are Alive.  Working from a broad color palate to create atmosphere, motion and drive within the confines of strong structure, she creates a signature “sustained intensity” and sense of urgency.  Hill beckons, dares; almost demands that the audience “listen!”

It is vital for Hill that she actively cultivate the talents of young composers and musicians as well as educate and engage the public in the music of today. As Composer-in-Residence at St. Paul’s The Schubert Club, Hill runs the Composer Mentorship Program where she mentors four gifted high school composers every year.  She has been a guest lecturer at such institutions as Syracuse Univeristy, Tufts University, Normandale Community College, Rock Valley Community College, the American Composers Forum, the Iowa Composers Forum Nuts N’ Bolts Festival, the University of Michigan at Ann Arbor and Delft University of Technology (The Netherlands). 

A three-time McKnight Artist Fellow and a two-time Bush Artist Fellow, Hill has been awarded grants and awards from the Jerome Foundation, the Minnesota State Arts Board, Meet The Composer, ASCAP, and Chamber Music America. Commissions come from cream of the crop professionals to community and amateur groups.  One of her strengths as a composer is the ability to write well for musicians of many different skill levels.  Whether she is composing a virtuosic piece to show off a soloist’s or groups’ expertise or a composition that leads a choir of untrained voices through a gratifying and meaningful musical experience, the music comes from the same place for Hill.  The opportunity to write music is always an opportunity for her to research, learn, muse, reach down deep and allow inspiration to come from the stuff of life.

Distinguished by the Star Tribune as a local star, Hill's music has been broadcast internationally. Hill has been the subject of Matt Peiken’s 3 Minute Egg and Richard Zarou’s No Extra Notes. She has been profiled on WNYC in New York, Minnesota Public Radio, KCSC’s “The Composer Next Door,” "Alive and Well" with Anthony Cheung in Boston, and featured on Michigan Public Radio with host Foley Schuller and on NPR's All Things Considered with the Harmonium Choral Society.

Hill earned a B.A. in music composition and piano performance at Bennington College where she studied with Vivian Fine, then earned her M.A. and Ph.D. degrees from the University of Minnesota with principle composition teacher Lloyd Ultan. She has also studied extensively with Libby Larsen.

Her home, studio and publishing business, Hummingbird Press are based in Minneapolis, Minnesota.

SHORT BIOGRAPHY

From solo to orchestra, epigram to epic, Edie Hill’s music unfolds seamlessly in all spaces and idioms. Born in New York City (1962), her works are widely performed in the United States, Canada, Eastern and Western Europe. Such prestigious and varied venues/presenters have included Lincoln Center, LA County Museum of Art, the Library of Congress, Walker Arts Center, Cape May Festival (NJ), The Downtown Arts Festival (NYC), Liviu Cultural Center (Romania), Feszek Müvészklub (Budapest), venues in Alkmaar, Zeist, Groningen, Zutphen, Breda and Bilthoven (The Netherlands), St. Paul’s Schubert Club, classrooms and cafes, basilicas and back yards. A three time McKnight Artist Fellow and a two-time Bush Artist Fellow, Hill has been awarded grants from the Jerome Foundation, ASCAP, Meet The Composer and Chamber Music America to name a few. She actively cultivates the talents of young composers and musicians as well as educating and engaging the public in the music of today. She has been a guest lecturer at such institutions as Syracuse University, the American Composers Forum, the Iowa Composers Forum Nuts N’ Bolts Festival, Tufts University, the University of Michigan and Delft University (Netherlands). Hill earned a B.A. in music composition and piano performance at Bennington College where she studied with Vivian Fine, then earned her M.A. and Ph.D. degrees from the University of Minnesota with principal composition teacher Lloyd Ultan. She has also studied extensively with Libby Larsen. Hill is Composer-in-Residence at St. Paul’s Schubert Club where she runs the Composer Mentorship Program. She resides in Minneapolis where she works as a freelance composer.